BA Curating with History

Program Overview

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Are you an aspiring curator? Do you want to know how to display objects in ways that reveal their wider historical impact? This degree will help you develop the skills you need to become a curator who makes bold connections between different forms of art and visual culture, historical developments, and broader social and political forces. BA Curating with History offers a multidisciplinary foundation in the histories and theories of art history, curating, heritage studies and public history. You will learn the intellectual and practical skills necessary to realise your career ambitions, combining classroom-based learning with hands-on experience in museums and galleries. You will also learn about the history and theory of exhibition design, with a particular emphasis on how curatorial choices shape our experiences while viewing artworks and the other objects on display in museums and galleries. You will study topics including:

• History of the museum
• Curatorial ethics
• Public history
• Art in Latin America
• Digital heritage and museums

To study on our course, you don’t need an A-Level in Art or Art History. In fact, we believe that the best students of visual culture are those who bring fresh eyes and new perspectives to their objects of enquiry. One of the major reasons for choosing Essex is the quality of the education you will receive. We are 3rd in the UK for research outputs in art history (Grade Point Average, REF2021). You will be taught by our expert staff in your very first year, a rarity in the UK Art History courses. Why we're great.

• We house a collection of over 750 pieces of art from Latin America, ESCALA, and over 100 works of British art, so you can study art ‘in the flesh’ on campus
• You will study the social and political implications of art and go beyond its historic institutions
• Our structured programme of study trips at home and abroad takes you far afield and explores local settings

Study abroad

Your education extends beyond the university campus. We support you in expanding your education through offering the opportunity to spend a year or a term studying abroad at one of our partner universities. The four-year version of our degree allows you to spend the third year abroad, while otherwise remaining identical to the three-year course. Studying abroad allows you to experience other cultures and languages, to broaden your degree socially and academically, and to demonstrate to employers that you are mature, adaptable, and organised. If you spend a full year abroad you’ll only pay 15% of your usual tuition fee to Essex for that year. You won’t pay any tuition fees to your host university.

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Placement year

When you arrive at Essex, you can decide whether you would like to combine your course with a placement year. You will be responsible for finding your placement, but with support and guidance provided by both your department and the placements team. If you complete a year you’ll only pay 20% of your usual tuition fee to Essex for that year.

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Our expert staff

We are a dynamic group of art historians who investigate the production and reception of images and built environment, across cultures and media, from the late medieval period to the present day. Our staff’s research interests include activist art, modernist art and totalitarianism, the relationship between art and science, the artistic status of body modification, art and the environment, critical heritage, and the visual culture of social problems. We also have significant experience in curation and public engagement. Recent projects include:

Paola Di Giuseppantonio Di Franco’s UKRI Future Leaders-funded research project, REPLACE

Matt Lodder’s Painted People: Humanity in 21 Tattoos (HarperCollins, 2022)

Diana Bullen Presciutti’s Saints, Miracles, and Social Problems in Italian Renaissance Art (Cambridge, 2023)

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Specialist facilities

At Essex, you have the best of both worlds: on the one hand, you are part of a tight-knit, campus community with close ties to several small but excellent museums in the nearby town of Colchester; on the other hand, you can travel from campus to London in an hour, which puts the world’s best museums and galleries at your fingertips. Our facilities enable you to gain curatorial experience and engage in object-based learning, a cornerstone of our approach when teaching the history of art and its modes of display:

• Our Essex Collection of Art from Latin America (ESCALA) is one of the most comprehensive in the UK and has a state-of-the-art teaching and research space. Many of our students gain work and research experience through our collection
• Our onsite gallery Art Exchange runs an ongoing programme of contemporary art exhibitions and talks by curators and artists, as well as exhibitions organised by our postgraduate curatorial students
• Colchester’s iconic Firstsite gallery features an exciting programme of contemporary art exhibitions, film screenings and talks, and exhibitions organised by our curatorial students
• Our Centre for Curatorial Studies is home to staff who specialise in the history and theory of exhibition design and curate high profile exhibitions.

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Your future

The visual arts and culture industries have become an increasingly significant part of the national and international economy, and our graduates can leave Essex with the skills to take advantage of this growing opportunity. The sectors with jobs best suited for students with a BA in Curating include museums, galleries and auction houses. Within these sectors, you can pursue a career in curation, cultural policy, museum education, programming, events and marketing. Our degree also equips you with foundational skills to run your own gallery, to work as a PR agent, or to work in the wider arts and cultural industries, in design, fashion, publishing or events management. To help our students acquire the particular skills they need to gain employment in the museum and gallery sector – the single-most important area in which our students will seek jobs – we offer numerous modules dedicated to the histories, theories and practices of museums, exhibitions and galleries. Additionally, we give you the chance to think creatively and proactively about life after university through our curatorial employability module. We also work with the University’s Student Development Team to help you find out about further work experience, internships, placements and voluntary opportunities.

Program Outline

Course structure

Our research-led teaching is continually evolving to address the latest challenges and breakthroughs in the field. The following modules are based on the current course structure and may change in response to new curriculum developments and innovation. We understand that deciding where and what to study is a very important decision for you. We’ll make all reasonable efforts to provide you with the courses, services and facilities as described on our website. However, if we need to make material changes, for example due to significant disruption, or in response to COVID-19, we’ll let our applicants and students know as soon as possible.

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Components

Components are the blocks of study that make up your course. A component may have a set module which you must study, or a number of modules from which you can choose. Each component has a status and carries a certain number of credits towards your qualification.

Status	What this means
Core	You must take the set module for this component and you must pass. No failure can be permitted.
Core with Options	You can choose which module to study from the available options for this component but you must pass. No failure can be permitted.
Compulsory	You must take the set module for this component. There may be limited opportunities to continue on the course/be eligible for the qualification if you fail.
Compulsory with Options	You can choose which module to study from the available options for this component. There may be limited opportunities to continue on the course/be eligible for the qualification if you fail.
Optional	You can choose which module to study from the available options for this component. There may be limited opportunities to continue on the course/be eligible for the qualification if you fail.

The modules that are available for you to choose for each component will depend on several factors, including which modules you have chosen for other components, which modules you have completed in previous years of your course, and which term the module is taught in.

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Modules

Modules are the individual units of study for your course. Each module has its own set of learning outcomes and assessment criteria and also carries a certain number of credits. In most cases you will study one module per component, but in some cases you may need to study more than one module. For example, a 30-credit component may comprise of either one 30-credit module, or two 15-credit modules, depending on the options available. Modules may be taught at different times of the year and by a different department or school to the one your course is primarily based in. You can find this information from the module code . For example, the module code HR100-4-FY means:

HR	100	4	FY
The department or school the module will be taught by. In this example, the module would be taught by the Department of History.	The module number.	The UK academic level of the module. A standard undergraduate course will comprise of level 4, 5 and 6 modules - increasing as you progress through the course. A standard postgraduate taught course will comprise of level 7 modules. A postgraduate research degree is a level 8 qualification.	The term the module will be taught in. AU : Autumn term SP : Spring term SU : Summer term FY : Full year AP : Autumn and Spring terms PS: Spring and Summer terms AS: Autumn and Summer terms

Year 1 Year 2 Final Year The past is never dead. It’s not even past’. In a world of conspiracy theories, toppling statues, and ‘culture wars’, the novelist William Faulkner’s most famous line resonates more than ever. Across the globe, History is co-opted to multiple causes and used to justify contradictory positions. Such uses of History often rely on myths, stereotypes, and misunderstandings. How can we separate political belief, personal opinion, and false information about the past from historical knowledge and understanding? Rebellious Pasts looks at the creation, consolidation, and operation of historical myths and stereotypes – and at how we, as historians, can use the tools of our trade to identify and challenge misleading representations of the past, replacing them with richer forms of understanding. The module helps you to develop the critical mindset needed to analyse historical arguments wherever you find them, but also the constructive skills essential to researching and writing your own histories. It combines lectures and seminars exploring how history “works” in different contexts with archive visits and library workshops that expose you to the raw materials of History. On Rebellious Pasts, you will undertake self-directed research drawing upon digitized collections, archives, and heritage sector institutions, and translate your findings into accessible public history artefacts. At its heart, History is the refusal to accept easy assumptions and the insistence on negotiating with evidence, no matter how tricky that is. By the end of the module, you will understand why History is a rebellious discipline – and how to harness its unruly powers. View Rebellious Pasts: Challenging and Creating Histories on our Module Directory This module is intended as a skills-building course for first year art history students, to develop writing skills across a range of assessed and non-assessed writing types (essay, critical review, reading summary, label text, catalogue essay etc). The module will also present an introduction to research methods in art history, and a historical overview of art historical writing. View Writing and Researching Art History on our Module Directory This module tackles some of the biggest questions surrounding the history of art. You will explore some key issues of philosophical aesthetics, such as the nature of representation, by engaging critically with seminal texts, artworks, and architecture. In this module, you will develop your analytical and interpretive skills, and leave with a solid foundation for the study of the history of art. View Art and Ideas: I on our Module Directory This module offers an introduction to the history of museums and galleries. We will consider the basic human instinct to collect and the creation of the first museums. We will examine ideas about taxonomy, ordering the world and the first museum spaces of display, asking questions about privilege and power. How have museums and galleries shaped history and science? What ethical issues are there today around these spaces? Should tobacco, oil and arms companies sponsor museums? Can museums be tools of ‘urban regeneration’? Do online archives and 3D scanning make museums themselves obsolete institutions? View Collect, Curate, Display: A Short History of the Museum on our Module Directory This module provides an introductory overview to the field of heritage and museum studies and explores some of the conceptual, political and ethical issues faced by those working within and researching in the area of heritage and museums. The module defines heritage, discusses how heritage is officially recognised, and presents the instruments that are used to interpret, protect, and communicate heritage, at local, national, and international levels. It also introduces the main aspects of museum studies, explains how the definitions of museums has changed through time and how this definition affects how we preserve and present heritage today. This module will introduce you to the history of heritage and museum management and will lay the foundation of some of the conceptual, political and ethical issues of the heritage and the museum field. It defines heritage as a process in which people makes sense of the past, in the present and for the future and how the aims of heritage and museum management changes according to the heritage process and its contexts. View Introduction to Heritage and Museum Studies on our Module Directory COMPONENT 06: OPTIOL Art History option(s) from list or outside option(s) (30 CREDITS) How did our society decide what counts as ‘art’ and what is ‘culture’? Is there really such a thing as high vs low culture? What are the political stakes of these divisions? This module looks at the shift in ideas from ‘art history’ to visual and material cultural studies. This module will engage with these debates and teach you new methods for seeing, interpreting and understanding art, design, craft, performance, film and games. These new ways of seeing are often driven by a critical impetus, and allow us to look at culture to draw out new perspectives on social and political issues of activism and social change, sex, technology, memes, police violence, migration, austerity and crisis, state surveillance, and our relation to animals and the environment. View Art and Ideas II: More Art, More Ideas - Critique and Historiography in the History of Art on our Module Directory Digital technologies are re-defining contemporary heritage practices. Digital technologies and media are used for re-presenting, managing and disseminating information about cultural heritage as well as producing new cultural information on the web, which establishes digital heritage as a new field of study. This module will present digital heritage theories and explore how digital practices are changing the role of heritage institutions and museums as sites for the study, preservation and dissemination of cultural heritage. View Digital Heritage and Museums on our Module Directory Learn about the major artistic trends that have emerged from Latin America, from Mexican Muralism right up to transgenic art. On this module, you’ll delve into the themes of landscape, revolution, human rights, and the environment, which reflect historical and contemporary processes shaping the region and the role Latin American art has in the wider art world. View Art in Latin America on our Module Directory COMPONENT 04: OPTIOL Art History option(s) from list or outside option(s) (30 CREDITS) COMPONENT 05: OPTIOL History option(s) from list (30 CREDITS) COMPONENT 06: OPTIOL CS200-5-AU or (CS712-5-FY and option from list) (15 CREDITS) This third art and ideas module deepens your existing thematic and historiographical knowledge building on Art and Ideas 2. We’ll be looking back at ‘the history of art history’ before the twentieth century. We’ll also look forward, to new cutting-edge theoretical approaches to arts, visual and material cultures. View Art and Ideas III on our Module Directory In this module you will produce a 4,000-word dissertation. The finished dissertation should show an all-round grasp of your subject and the ability to present your material clearly, succinctly and in the most appropriate sequence. It should also demonstrate evidence of a serious engagement with your topic, a mastery of the information currently available, and the inclusion of your own reasoned, critical judgements. A supervisor will help guide you as you begin to develop a research question, start researching the topic and write the dissertation. This is a capstone module, available to final-year art history students. View Final Year Dissertation Project on our Module Directory COMPONENT 03: OPTIOL History option(s) from list (30 CREDITS) COMPONENT 04: OPTIOL Art History option(s) from list or outside option(s) (30 CREDITS) COMPONENT 05: OPTIOL Art History option(s) from list (30 CREDITS)

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Placement

On a placement year you gain relevant work experience within an external business or organisation, giving you a competitive edge in the graduate job market and providing you with key contacts within the industry. The rest of your course remains identical to the three-year degree.

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Year abroad

On your year abroad, you have the opportunity to experience other cultures and languages, to broaden your degree socially and academically, and to demonstrate to employers that you are mature, adaptable, and organised. The rest of your course remains identical to the three-year degree.